Procession of Trust

In rough inverse proportion to the height

or stature of a thing, its trustworthiness

      derives. Insensate snow falls white

with an uncanny regularity.

A stone that's heavy one day won't turn light

the next, or change its vantage suddenly

without some agent adjusting it right

or left, or elsewhere, as the case may be.

The flower, pleasing to the smell and sight,

has wilted. But when did it guarantee

it wouldn’t? Moving up: Your kitten might

spend its kittenhood kneading at your knee,

then not come home one adolescent night,

without a warning, wanting to be free.


With people—well, just think of your own life,

of even the reliability

of a lover, a husband or a wife,

though husbands do cheat more, don’t you agree?

With kings and presidents, history

exposes what their offices belie

with reliable consistency,

though now and then one comes along who’ll try.


And as for the Supreme Judge, why pretend

the same God "made me because He loves me"

then, disappointed, decided to send

a flood so all but Noah and his kin

would be destroyed? and says that at the End

of Days, He will again, that it’s not sin

when He does it?! What's greatness but the lack

of trustworthiness, the ignominy

of a nature to betray or to attack—

and cite the victims' infidelity?


So you've found me repining on a boulder

with brambles in my hair. As I've grown older

I’ve learned to grow deliriously fond

of brambles, boulders, ripples in the pond

which I can freely share with you and know—

as surely as next winter will bring snow—

we’ll be here all, should we return tomorrow.



Book #1: Book and Blossom

     The pages are petals and leaves we have left

     for you. Breathe on this and you start to restore

     the aroma. Focus for an hour

     and you taste the nectar in the flower.

     Then close it up and it folds tight like

     a bulb charged, ages hence

or tonight when opened again, to explode in sparks of silence.


     And the pages are facets of a prism, a gem

     of many faces and colors, to turn

     and see anew, and gaze into deeply

     to catch a glimpse of what has been

     or will be, or is going on miles away.

     As it turns you into a priest or divine

the slightest touch from you might make the crystal pulse and shine.

 

     I know your friends say it’s a pill

     but they would hold you back, you see.

     What they don’t know you can take from me:

     The pill’s compressed from magic powders;

     and taking it, you assume their powers.

     What’s that, you haven’t got the spell?

Keep turning, sniffing, swallowing—reading!  We’ll be delighted to tell.


James B. Nicola’s poems have appeared in the Antioch, Southwest and Atlanta Reviews; Rattle; and Barrow Street. His seven full-length collections (2014-22) are Manhattan Plaza, Stage to Page, Wind in the Cave, Out of Nothing, Quickening, Fires of Heaven, and Turns & Twists (just out). His nonfiction book Playing the Audience won a Choice award. His poetry has received a Dana Literary Award, two Willow Review awards, Storyteller's People's Choice award, one Best of Net nomination, and ten Pushcart noms—for which he feels both stunned and grateful.


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